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May 23, 2012

EXCLUSIVE: AMI A/W12


Alexandre Mattiussi talks about his very personal take on menswear

AMI is a bookending of designer Alexandre Mattiussi’s initials, but it also means friend.

Your winter collection was inspired by Normandy…

Alexandre Mattiussi: When it comes to winter I love to visit my parents in Normandy. Sometimes it sounds a bit pretentious, because I’m saying that my parents have a house in Normandy – but it’s nothing special, it’s just in the country! I grew up in Normandy and I used to be a very creative little boy. Kind of a Billy Elliot, as I was a dancer when I was young, from the age of four to fourteen years old I was dancing all at the time. Then I got into sketching and designing and doing creative stuff. I like the globality of fashion, the way you can be involved in clothes, in store concepts, packaging, styling, pictures, you can do presentations, it’s a kind of theatre story – and that’s what I liked when I was dancing.

How did you begin in the industry?


Alexandre Mattiussi: I went to the only public school in Paris and I spent three years there. I used to have Pierre Hardy as my teacher, who is now a friend and wears my clothes! I started at Dior, working with Lucas Ossendrijver on the classic 30 Montaigne line, then at 24 I was the first assistant of Ozwald Boateng at Givenchy, before Riccardo did menswear. I was then part of the team in the interim period before I worked under Tisci on his first collection, with the pink lace. That was great! And very shocking for me, from what we used to do before. Finally, I spent a year at Marc Jacobs, working with Joe McKenna. At 28, I realised I had to do my own collection: I spent two years thinking about the project, finding the suppliers to work with, trying to really create what I wanted to say and finding the right financial partners. We launched the one year ago and it went well, so I’m super happy.

And the collection rests on the type of clothes you want but can’t find?


Alexandre Mattiussi: Exactly, clothes with the right twist. The way I design? It’s about keeping the skills from luxury brands because of the quality of the fabrics, the way we cut the clothes, the way everything is made, but trying to make it more real. I didn’t find clothes that I wanted to wear because things were too creative or too expensive. And when they were less expensive they were too casual. I’m trying to keep it classical and chic, achievable.

Men are very loyal in the way they shop, no matter what they’re into.
Alexandre Mattiussi: Yeah definitely, very confident with their style and really know what they want to wear at the end. I really listen to my customers because sometimes they’re giving the best ideas – when they are interested in fashion they’re really interested for good reasons! They know their body and they know what they can buy again season after season. Sometimes we’re looking for something very precise. I’m into something more cool, in a way, inspiration comes from the street and my friends – we discuss what we want to drink, what we want to eat and what we want to wear.

May 23, 2012
La famille Romanov

La famille Romanov

May 23, 2012

May 23, 2012
春光乍洩 Happy Together, Wong Kar Wai, 1997

春光乍洩 Happy Together, Wong Kar Wai, 1997

May 23, 2012
Amber Vallettastyling alex white photography craig mcdean hair eugene souleiman make-up pat mcgrath
Yohji Yamamoto «Rewind/Forward», 238 Fashion Pictures, 1995–2000

Amber Valletta
styling alex white photography craig mcdean hair eugene souleiman make-up pat mcgrath

Yohji Yamamoto «Rewind/Forward», 238 Fashion Pictures, 1995–2000

May 23, 2012

May 23, 2012
I and Louis XIV by ~INDRIKoff

I and Louis XIV by ~INDRIKoff

May 23, 2012

May 23, 2012
Glenn Brown

Glenn Brown

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Minimalux – Brass Ballpoint Pen

Minimalux – Brass Ballpoint Pen

May 23, 2012

PRADA presents “A THERAPY”

May 22, 2012
Orlebar Brown Photorealistic Swimsuits

Orlebar Brown Photorealistic Swimsuits

May 22, 2012

May 22, 2012
Rude Little Black Book

Rude Little Black Book

May 21, 2012

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